Showing posts with label newyork. Show all posts
Showing posts with label newyork. Show all posts

Sunday

the book show [books // illustration]




here's another short notice bit, also put on by the school of visual arts, conveniently enough. since i won't be making the 7500 mile trip to see the exhibit, i've made up my own story about that deer in tighty whities - christopher darling’s 111th street is a story about a day in the life of a deer living in new york city - but that's beside the point. 111th street and nineteen other such works of pictorial genius are on display at the sva gallery [209 e. 23rd st.] through 14 october as part of 'the book show', an exhibit of mfa students in the school of visual art's illustration and visual essay departments.

Friday

naked lunch [books]


this is short notice for the new york contingency. this very weekend - as in, already begun - totally free of charge and open to the public, the school of visual arts, columbia and nyu are hosting three days of talks, readings, and screenings to commemorate the 50th anniversary of the writing of william burroughs' seminal wig out novel, naked lunch. highlights include a reading by michael mcclure, a panel discussion entitled 'firsthand encounters with william s. burroughs & naked lunch', and the first east coast screening of words of advice: william burroughs on the road.

9/11


click it. thanks to eric for the link. and for being my brother.

Thursday

lost tribes of new york [video]

i wrote this off at first, thinking kitsch. but being away from the city, who am i kidding? this blog is soggy with new york kitsch.

Friday

paul ford // f train [writing // BABL]


i first ran across paul ford last spring when i read his 'six-word reviews of 763 SXSW mp3s.' when he came back with 'six-word reviews of 1,302 SXSW mp3s' (click for loads of downloadables) this year, i backtracked to his blog, f train, to see what he's about. ford, a harper's editor and npr contributor, muses sporadically on laughs, literature, and life in new york, and there's really something to it. read steering wheel below.
I've been walking home--my bike is in the shop forever and the weather is nice. I listen to episodes of the Jack Benny program on my phone, waiting for Mary Livingstone to laugh. I'm up through 1946.
The traffic where I live is so bad that sometimes I am stuck in my minivan for forty minutes before I get to work. So I use the steering wheel as a kind of prayer wheel. Each notch reminds me of a prayer. I go from notch to notch saying prayers for my husband, for each of my children, my parents, my friends, and the students in my class.

I read something like that 19 years ago in Guideposts. I was sitting in my grandparents' living room on their black sofa. I think of it whenever my computer gives me the pinwheel, or when I am on the phone at work helping an old lady onto the website, explaining that email doesn't need stamps. At the top right of the screen, I asked, do you see a little box? And to the left of the box is the word “Username?” You put a special name into that box. We have to make that special name.

“I'm old,” she said.

Down through Soho. People walk into traffic while text-messaging. I also have on headphones. It's warm, crowded, and progress is slow. I see a girl in canary leggings and short bangs, backlit by a storefront. She is laughing at a joke made by a boy in a vest. No wonder people want to live here. Right then Mary Livingstone laughs in 1946. A man with his tongue out is trying to shake hands with everyone. On Bowery I pass the New Museum, which has a sign reading “HELL YES!” in great rainbow letters. Faces lit from below or on the side by cell-phone screens and media players. I am moving slow but light is absolutely everywhere.

Monday

changing new york, 1935-1938 [photography]





i wish i had time to run off at the mouth about this. alas. per the great vaults of the new york public library's digital gallery:
Photographer Berenice Abbott (1898-1991) proposed Changing New York, her grand project to document New York City, to the Federal Art Project (FAP) in 1935. The FAP was a Depression-era government program for unemployed artists and workers...(more)
click the photos above to see a slideshow of some of this collection, and follow the slideshow through to loads of other collections that the nypl has made available via flickr.

LINK: related

Thursday

new york times visuals [meta?]


*click for slideshow
this series of images uses the faceted searching abilities of the nytimes article search api to construct maps of the top organizations & people mentioned in articles for a given news year. connections between these entities are drawn, so that relationships can be found and followed. (more)

Tuesday

modern love [writing]


one random last-august afternoon i got on an uptown F train with a comely brown-eyed girl heading to some event i've now forgotten. we sat down on one orange seat and one yellow seat and held hands. after a stop or two, the elderly man in the seat perpendicular to mine cleared his throat and, when he had caught our eyes, asked if we were brother and sister. with equal parts sheepishness and brazen good humor, we clarified our situation. he seemed happier that it was our way and not his and told us we looked 'real happy together.' then, perhaps to fill the off-balance silence, he told me, 'she's a real pretty girl,' and quickly reaffirmed both his respect and his manhood, allowing, 'i don't mean nothin' by that.' she blushed. i blushed.
for the next who knows how long his watery blue eyes glistened as he told us about growing up in brooklyn, the travails of being a new york city cop, losing his wife, remarrying. incidentally, he happened to be returning from greenwood cemetery, visiting his first wife.
once on the topic of marriage he began to muse on the tragedy of love as a lost institution of our time - lamenting that so many divorce, are unhappy, or never marry, and that too many true loves are lost by chance or foolishness. he spoke about his first wife and his current wife in distinctly different tones, utilizing his old-timer's brooklynite logic and power of suggestion to convey more than he actually spelled out. clearly, he loved both women, but his two loves were as different and necessary as sugar and salt. he spoke of his first wife sweetly, tenderly, with twinges of heartbreak and fondness for familiar super8 memories; he made it clear that love was all they'd needed. he spoke of his current wife less delicately, but perhaps with a greater sense of her being his other half, as if the two relied on each other as partners, foils, lovers, friends. he secretly went to the cemetery every week while she was getting her hair done. 'she don't need to know. i think it'd only hurt her.'
we got off at the next stop.

i was reminded of that day reading the first installment of salon's new series american's talk about love.
...Going home one Sunday night, I go down on the subway and something happened that has never happened before -- ask any New Yorker, they'll agree with me -- there was nobody, I mean no single person on the subway platform.

It was maybe 10:30, 11 o'clock. The train comes, and again, nobody is on the train. Except for a woman sitting at the head of one of the cars. So being a young New York boy I get on the train, I walk the length of the train to where she's sitting, I sit down right next to her, pull out a book, and start reading. And I peruse the page, or a half-page, I turned to her and I said, "Excuse me, does this train go to Brooklyn?" She looks me in the eye and she points across the other side of the car and, of course, there's a big sign: "To Brooklyn." I said, "Oh! Thank you! Goodbye."

Get back to the book. Couple minutes later I turned to her and said, "Could I take you to your home?" She looks at me and she says -- with a pause -- she says, "If you got a quarter you can go anywhere you want." Which was what the subway cost at that time. And she got off at the next station, and I got off with her and followed her.

She's standing here watching me tell this story again. [continue]

DOWNLOAD: bloc party - this modern love [mp3]
*photo

Thursday

THIS
makes me so sad.

Tuesday

pilobolus [friends]


m. i think i see you...

Wednesday

daniel arnold [writing // friends]



*disclaimer: this is the biggest gaffe i've made on my blog to date. i wrote this post about a week ago and was interrupted while linking and tinkering. i thought i had posted it, but it has been sitting in my box as a draft.*

i'm not going to get long-winded on this for two reasons: 1) daniel arnold is a humble guy, and 2) daniel's adjectives are better than mine and i don't want to do him a disservice. the fact is, daniel arnold is an informed soul - informed about what, i won't say (he's got his own blog for that). but daniel is also a friend. and a writer. point being, daniel's writing speaks for itself, and, accordingly, some big things are happening for him. not terribly far removed from a hunter s. type excursion in big sur, daniel got it down in nouns and adjectives that the dudes at the fader liked so much they featured it on their on-line hub, F2. you should read it.

DOWNLOAD: f2 the new folk podcast // f2 text [pdf]
(photo by sam macon)

Thursday

new york times special edition [hijinks]



did anyone get one of these!?!? the new york times is claiming that "a film promoter, three unnamed times employees and steven lambert, an art professor", are behind the prank, and gawker says the yes men are involved. wednesday's new york times spoof - a 14-page mock up of the july 4, 2009 edition - apparently included distribution of more than 1,000,000 printed copies in various major cities during peak morning commute hours. read the online doppelganger of the times here; read the (real) times' first reaction here. if anyone has a copy i can have or can get me a copy, please do.

LINK: hilarious thomas friedman column

Friday

Migration




Catch this flock of abstract birds on the billboard outside the Espeis Gallery in Williamsburg (11th and Wythe). Migration is a project by London illustrator/painter Hellovon, who has done projects for the New York Times, Nike, and Serum vs. Venom, among others, and works equal magic in ink, charcoal, watercolor and acrylic. The birds appeared last month on London's Truman Brewery and will be in Williamsburg until further notice, so go take a walk. And when you get back from that walk, check his page for other work. I highly recommend clicking through the showcase link to the watercolor Teenwolf poster. For serious.